Capability Brown left an extensive legacy as he swathed his way through more than 150 gardens of the aristocracy in the mid-18th century, introducing a brand new ‘natural’ style.
By Janine Wookey.
|Chatsworth’s 1000 acre park|
LANCELOT ‘CAPABILITY’ Brown was the first celebrity garden designer. In the 18th century he was the man who, for the first time, made gardening fashionable in all the right circles – and he was the top people’s top man, rising from lowly beginnings to become royal gardener to the young King George III in charge of Hampton Court. Horace Walpole, the playwright son of the British Prime Minister Robert Walpole, said of him, “We have reached the peak of perfection. We have given the true model of gardening to the world.” That’s enough to turn anyone’s head.
Why the ‘Capability’? Nothing to do with his talents, in fact, but from one of his favourite phrases when evaluating a new garden, when he would turn around to the owners say, “This garden has capabilities for improvement.”
Utilising those capabilities he has left an indelible – and hugely distinctive – mark on English garden style. A style that has over the centuries come to epitomise Englishness in gardens or more accurately, parklands. England went ‘natural’ but a lot of artificiality went into that natural look.
So where had the idea come from? Before Brown, gardens in England were a mix of Tudor, Dutch and French traditions, very formal and stylised. The Italian look was just coming into the picture as landowners returning from their Grand Tours brought home souvenirs and fancied recreating the wonders of Rome and Venice.
But the feeling was one of enclosure, of inward looking and heavy formality. It was somewhat stultifying. People were ready for a change and it wasn’t just Brown – others were thinking along more naturalistic lines. William Kent was one and their paths crossed fortuitously.
Brown was most prodigious. There are some 150 gardens in England that were designed – or heavily influenced – by him. So while England is now rich in Capability Brown landscaped gardens, on the flipside, iï has to be said, it suffers something of a dearth of gardens from previous eras. However, at the time, it must have seemed, literally, like a breath of fresh air. Instead of being an enclosed thing, a garden became a wide-open expanse with views and vistas. Strategically placed clumps of trees gave interest – and, if there was one key thing, it was water. And if there is one word, other than ‘natural’, that is linked to Brown it is ‘serpentine’. The lakes he designed always had waving irregular edges, rivers were encouraged – sometimes, compelled – to snake through the grounds. His water was never square or round, the shape was always sinewy.
Terraces were abolished for being ‘unnatural’ and the ground was to have undulating contours. He moved thousands of tons of earth to get that gently sloping contoured look in his time. Brown was a man with a mission: to “root out the unnatural bad taste of the old style”.
An interesting characteristic of this new style (which eventually led to its falling out of favour) is the absence of flowers. There was no place for them in this brave new world of vistas. They were banished back to the kitchen garden and allowed to stay only within a walled enclosure.
But the upside was that the large specimen tree became a star, planted to take pride of place on its own and not just as part of a wood. Brown used trees as a landmark, so the garden assumed more of a park-like style. In one garden alone he planted 100,000 of them, mostly oak, so although he destroyed many, he did plant many.
Gardener to the great he may have been but he came of humble stock. Born in Northumberland, on 1716, to a farm labourer, Lancelot was baptised in the local village church in Kirkharle. Little is known of his early life but he went to a good school at Cambo, staying there until he was 16, before being apprenticed as a gardener’s boy to a local landowner, Sir William Loraine at Kirkharle Tower.
Working in the vegetable garden, he learnt his gardening skills. At 23 he moved to Wotton, owned by Sir Richard Grenville, and, from there, to Stowe in Buckinghamshire (owned by Grenville’s son-in-law, Lord Cobham) as under gardener under William Kent, who he discovered was an enthusiast for the burgeoning trend towards a landscape style, as a reaction to the straight jacket of the existing fashions.
It was Kent who coined the phrase “nature abhors straight lines”. Lancelot adopted the philosophy wholeheartedly and the two men became good friends, working closely together at Stowe until Kent’s death in 1748.
At 26, in 1742, he became head gardener at Stowe, just as the owner Lord Cobham was intent on expanding his home and the estate in a most splendid style to impress his many influential friends, who included Jonathan Swift and Alexander Pope. This was to be Brown’s first major commission, shared with Kent, and is today regarded as his most classic interpretation of the bold naturalistic style. A Grecian valley, which is still one of Stowe’s most impressive monuments, has broad sweeps of wildflower meadows framed by huge plantations of oaks, limes beeches and chestnuts. Magnificently tall and lofty now, but what a vision he must have had on how it was all going to look in a hundred years’ time.
Brown stayed at Stowe for ten years. He married there in the local church which has the details etched on a window. In 1750, after both Kent and Lord Cobham had died, Brown moved to London with his wife and children and set himself up as an independent creator of gardens – or ‘place maker’ as he liked to style himself in later years – and the work came rolling in.
At Luton Hoo in Bedfordshire, for example, now a hotel, Brown was commissioned by two successive owners in the 1750s and 60s. Many of his original designs can still be seen today and a massive project to restore the estate to its former glory has seen 17,000 plants, shrubs and trees being planted on the golf course alone.
Burghley House in Lincolnshire was a truly mammoth task, which took Brown more than 25 years and was probably the most important in his career, which he described as “25 years of pleasure”. The 9th Earl of Exeter commissioned him in 1755 to landscape a great park, seven miles round, to go with the great Elizabethan house. ï
By the end, in 1779, he had swept away the formal gardens and many of the lime tree avenues; widened the river, converting it into a Serpentine Lake that covered 32 acres crossed by an elegant stone bridge; put a summerhouse beside it; designed a stone bridge and planted intimate groups of trees around the perimeter of the park, no only to be enjoyed, but also, more practically, to useful for the new sport of game shooting.
|Longleat’s sweeping landscape|
The following year, 1757, there was Longleat, in Wiltshire a great Elizabethan house (1580) with an Elizabethan garden and park. Lancelot Brown’s re-designs, which involved completely rooting out the Italian Renaissance formal garden and turning it into a sweeping landscape, caused a visitor in 1760 to remark that “the gardens are no more. They are succeeded by a fine lawn, a serpentine river, wooded hills, gravel paths meandering round a shrubbery, all modernised by the ingenious and much sought-after Mr Brown.” Another young garden up-and-coming designer, Humphry Repton, who was to follow in his footsteps, praised Brown for turning a little stream at Longleat into “an apparent river”.
Then there was Blenheim Palace, designed by Vanbrugh in 1705, the nation’s reward to John Churchill, the first Duke of Marlborough, for his victories over France’s Louis XIV. In 1764, the 4th Duke commissioned Lancelot Brown, then at the height of his fame to examine its capabilities.
In a bold move – even for him – two rivers were dammed to create two huge lakes and numerous cascades. It was crossed by a bridge, originally designed by Sir John Vanbrugh who was improving the palace, but disliked by the Churchills for its size, so Brown refined it to an acceptable level. He also naturalised the woods, designed and placed clumps of trees in strategic positions. This is probably his masterpiece – for scale if not for detail.
1764 was a good year for Brown, after years of trying for a royal job – he was appointed by George III to look after the gardens at Hampton Court and he moved there to live with his family on a salary of £2,000 a year and, because the King had an interest in gardens, the two men established a good relationship. Brown didn’t actually do much to the gardens but it is thought he may have planted the Great Vine in 1768. Of course, commissions kept flooding in – even more so with his royal connections. There is hardly a great house in England to which Brown didn’t get invited. He travelled widely, sometimes to the detriment of his asthmatic health, as coach travel in those days was uncomfortable. He even made it up to Alnwick in Northumberland to soften the rather bleak, wind blown pastureland there.
But it is the landscaping at Sherborne Castle in Dorset which is probably the best, most charming example of Capability Brown’s work you will ever see, with terrific vistas and scenery – all with the 12th-century ruined old castle as a romantic backdrop. The new castle had been built for Sir Walter Raleigh in 1594 and it was Edward, the 6th Lord Digby, who called in Lancelot Brown in 1776 to model the landscape here.
Always keen on thinking big, Brown had no hesitation in flooding an entire valley, which filled the area between the old 12th-century castle ruins and the new castle to create the 50-acre lake that sets the scale for the rest of the surrounding landscape.
Chatsworth in Derbyshire is more associated with Joseph Paxton who was head Gardener for the 6th Duke of Devonshire in the 19th century, but, before that, the 4th Duke had decided to improve his home and at same time to eradicate the entire village of Edensor because he objected to it getting in the way of his view and, who else, but the great Capability Brown was needed to come and landscape the area? The Duke was pleased with the result but it is unlikely the villagers felt the same.
A visit to Harewood House in Yorkshire gives visitors a novel way to really see Capability Brown’s scenery at its most expansive best. Harewood is one of ten Treasure Houses of England, recognised as England’s finest historic houses, and mostly still lived in, by the families who have owned them for generation. Here you can take a boat across the enormous lake and look back at the grand sweep of the 1,000-acre park that Brown created in 1763 with its Robert Adams Bridge straddling the River Cam.
Possibly the most beautiful view is at Broadlands House in Hampshire, where looking across the beautiful River Test across to the House itself presents a vista that shows his style at its very best. The house, home to Lord Palmerston in the 18th century and to Lord Mountbatten in the 20th century, is Palladian, but the serpentine park was designed by Brown, as were some parts of the house and possibly some alterations to an earlier orangery.
In middle age he even turned his hand to designing houses. His daughter had married the son of Henry Holland, a master builder, and they had worked on various projects together including Claremont in Surrey in the 1860s, where the exceptionally wealthy Lord Clive of India commissioned Brown and Holland to design work at the expense of previous garden designers and, despite all the money spent on it, sadly, not much remains of Brown’s today as the garden suffered much later neglect.
|The Emperor Fountain at Chatsworth|
But most of his magnificent legacy is still to be found everywhere today: although people’s enthusiasm for it had waned a bit by the time he died, from a heart attack, in 1783. Could it be they were missing the flowers? But it is appreciated more, today, for the feeling of space it offers.
This year, in his home county of Northumberland, the first garden Brown ever made, at Kirkharle, north east of Newcastle-upon-Tyne, is to be restored. Plans, found hidden in a drawer for 250 years and discovered in 1980 by the current owner of Kirkharle Courtyard where Brown lived, show great blocks of trees in their hundreds, and the centrepiece is, what else, but a serpentine lake. With the help of Natural England and the Forestry Commission, restoration should be completed and open to the public by 2010.
So more than 200 years after his death in 1783 Lancelot Brown is still bringing us the pleasure of open spaces, gently undulating slopes, strategically-placed trees and wavy water. Truly a man of great capability.
Capability Brown Gardens to Visit
Blenheim, Woodstock, Oxfordshire.
Tel: (0870) 060 2080 or visit www.blenheimpalace.com
Broadlands, Romsey, Hampshire.
Tel: (01794) 505010 or visit www.broadlands.net
Burghley House, Stamford, Lincolnshire.
Tel: (01780) 752451 or visit www.burghley.co.uk
Chatsworth, Bakewell, Derbyshire.
Tel: (01246) 565300 or visit www.chatsworth.org
Claremont Landscape Garden (National Trust), Esher, Surrey
Tel: (01372) 467806 or visit www.nationaltrust.org.uk
Harewood House, Leeds, Yorkshire.
Tel: (0113) 218 1010 or visit www.harewood.org
Longleat, Warminster, Wiltshire.
Tel: (01985) 844400 or visit www.longleat.co.uk
Luton Hoo Hotel, Golf & Spa, Bedfordshire.
Tel: (01582) 734437 or visit www.lutonhoo.co.uk
Sherborne Castle, Sherborne, Dorset.
Tel: (01935) 813182 or visit www.sherbornecastle.com
Stowe Landscape Gardens (National Trust), Bucks
Tel: (01494) 755568 or visit www.nationaltrust.org.uk
Syon Park, Brentford, Middx.
Tel: (020) 8560 0881 or visit www.syonpark.co.uk
Trentham Estate, Stoke-on-Trent, Staffs.
Tel: (01782) 657341 or visit www.trenthamleisure.co.uk