England became a unified state in AD 927 and, since the 15th century, has had a significant impact on the wider world, developing the English language, the Anglican Church, and English law – the basis for the common law legal systems of many other countries around the world. Its beautiful and varied countryside is interspersed with quaint villages and cosmopolitan cities including the capital, London.
The name "England" is derived from the Old English name Engla land, which means "land of the Angles". The Angles were one of the Germanic tribes that settled in Great Britain during the Early Middle Ages.
Portsmouth Insider’s Guide: Warships & Waterfronts
The south-east city of Portsmouth has seen its fair share of history. With a famous residents roll call that includes Henry VIII, Horatio Lord Nelson and literary heroes such as Dickens and Arthur Conan Doyle, it’s little wonder that history oozes out of Portsmouth’s every pore.
By Tina Ediss
In 1194 King Richard the Lionheart had been on his way from Portsmouth to fight in some far away crusade. However, the winds and tides were against him and he ended up staying for two weeks.
This was quite a long time in Richard the Lionheart terms as he spent just six months of his ten-year reign in England.
This unplanned visit would prove to be important to Portsmouth as the King granted the townspeople a Royal Charter giving them certain rights.
Portsmouth was founded in 1180 by Jean de Gisor, a wealthy Norman merchant, who created a port at the wiggle of a waterway now known as Camber Quay. The town’s position was perfect for trading with France – or attacking it during the period of prolonged warfare in the 14th century.
|HMS Victory at Portsmouth Historic Dockyard|
Then largely undefended, Portsmouth was attacked by the French and destroyed by fire on a regular basis. Eventually fortifications were built and added to by Henry VII who also created the world’s first naval dry-dock here in 1495. As the Navy grew, so did Portsmouth and the city has a
rich and important naval heritage.
The city sits on the Solent, a busy body of water between the Isle of Wight and mainland southern England. The waterway is a vital shipping route as well as a popular playground for recreational craft.
Portsmouth is actually a large island, separated to the north by a narrow creek. It’s a sprawling city yet the main areas are fairly compact. Old Portsmouth is home to the Cathedral Church of St Thomas of Canterbury and some of the older buildings that survived the bombs of the Second World War. It leads neatly to the Point, an area of cobbled streets and salty pubs where press gangs were feared and sailors parted from their hard earned
money. It is also called Spice Island, which could be because of the spices imported here – or because of its once spicy reputation.
|Naval hero: Admiral Horatio Nelson|
The Hard is where Portsmouth Historic Dockyard is situated. It is the city’s most popular attraction with three impressive ships, HMS Victory, HMS Warrior and Henry VIII’s Mary Rose.
The best loved is HMS Victory dating from 1759. The oldest commissioned warship in the world, she carried Admiral Horatio Nelson to victory in the Battle of Trafalgar.
He was fatally wounded during the battle and died three hours later, knowing the battle was won.
Nelson became a hero and his aptly named ship a national treasure. She’s not sleek like the ships of today. Her belly seems rotund, as if it’s bulging with all she needed to carry. The ship can be explored from the depths of the hull to the Great Cabin where Nelson planned the battle. She’s rich with an assortment of evocative nautical aromas. Smells of wood, of rope, of tar, of provisions once carried, of decks well scrubbed and brass brightly polished.
HMS Warrior was launched on 29 December 1860 and was the world’s first iron-clad battleship. She never fired a shot in anger but deterred with some efficiency; wooden warships didn’t dare challenge her.
|HMS Warrior, the first iron-clad warship|
Stationed onboard are costumed volunteer tour guides like Bill White, an ex-naval man. “There’s not another ship in the world like her,” he says proudly. “This is an unique job. We get visitors from every nation, all different and all happy because they are on holiday. In fact, my job means that I can say welcome in 11 languages.”
The third of the ships, the Mary Rose, is really just half a hulk but her story is incredible. She set sail on a summer’s day in 1545 with Henry VIII watching proudly from the shore. Then, for no reason that’s ever been discovered, she sank, taking 400 souls with her. For 437 years the Mary Rose lay on the seabed, protected by the silt of the Solent.
In October 1982, she was dramatically raised from the deep and displayed in the Mary Rose Ship Hall. She has now disappeared from view as a new museum, due to open in 2012, is built around her.
Many of the fascinating artefacts found with her are on display in the Mary Rose Museum. These objects give remarkable insights into Tudor times. There are many weapons; cannons and cannonballs, long-bows and arrows but it’s the personal items that turn these ancient mariners into people; bowls, spoons, shoes, leather jerkins, carpenter’s tools, rulers, combs even a backgammon set.
There’s so much to see in the Dockyard; Actions Stations is a favourite with children who can have a try at being in the Marines. There’s also the Royal Navy Museum and a boat trip around the harbour.
The city played a vital role during the Second World War. The naval presence and the docks made Portsmouth an obvious target for ruthless Luftwaffe bombers. Much of the city was reduced to ruins, centuries old buildings lost forever. On D-Day the city was an embarkation point for men heading for the Normandy Beaches; the story is told in the D-Day Museum. A little farther along on Southsea Common stands the Portsmouth Naval Memorial commemorating sailors who died at sea during the First and Second World Wars.
|Charles Dickens’ birthplace|
Portsmouth has some impressive literary links. Charles Dickens was born in the city on 7 February 1812; his terraced house is now the Charles Dickens’ Birthplace Museum. Arthur Conan Doyle worked in the city as a doctor while writing his Sherlock Holmes novels. There’s a fascinating Arthur Conan Doyle Collection at the City Museum. I have a special interest in Victorian writer Sir Walter Besant, born in Portsmouth in 1836. His mother was Sarah Ediss and we are distantly related. In his autobiography he talks about growing up in Portsmouth and how the city walls were “the playground, the breathing place for the children and the
boulevard for the people.”
And so they remain: people promenade the walls along the seafront on all but the stormiest of days. Children play as they’ve always done, not particularly impressed, orunaware of the age of the Round Tower (1418), the Square Tower (1494) and Southsea Castle (1544).
|Henry VIII’s Southsea Castle on the seafront|
Southsea’s little shops along Marmion Road and Albert Road are good for shopping. They are a bit edgy, a bit New Age with everything from hand-made chocolates and delicious cakes (try Snookies on Osborne Road) to fashion and antiques. There is also a good shopping in the city centre, however most shoppers head for the bargains to be had at the outlet stores of Gunwharf Quays. Dine alfresco here at one of the restaurants facing the Solent.
It feels very continental, only often with a bit more bluster.
|Scale Spinnaker Tower|
Looking down on this historic maritime scene is the modern Spinnaker Tower that stands on the water’s edge, a giant mast with huge sails billowing. From this great height (110 metres) the view of the whole city, the countryside that surrounds it and across to the Isle of Wight, is ever changing. On a sunny day the Solent is all sparkly and blue. When the sky is overcast rays of sun pierce through the clouds and hit the sea like spotlights on a stage.
This is Portsmouth past, present and future; pick out the ordered military buildings, the fine buildings that survived the bombs of the Second World War – and the post-war buildings that could never replace all those that didn’t.
For further information on where to stay and what to do in Portsmouth www.visitportsmouth.co.uk.
Tourist Information Centre, The Hard, Portsmouth PO1 3QJ; tel: (023) 9282 6722.
King’s College Chapel: Festival of Nine Lessons and Carols
It’s one of Britain’s best loved traditions, watched by millions on TV and radio. The first Festival of Nine Lessons and Carols took place at King’s College Chapel, Cambridge, in 1918. Since then, the annual service has become an integral part of the festive season
It’s one of Britain’s best loved traditions, watched by millions on TV and radio. The first Festival of Nine Lessons and Carols took place at King’s College Chapel, Cambridge, in 1918. Since then, the annual service has become an integral part of the festive season.
In the words of the service booklet, the ceremony tells the story of “the loving purposes of God” through a combination of carols and carefully selected readings from the King James Bible.
“I think it has become a British institution,” agrees Stephen Cleobury, Director of Music at King’s College, Cambridge, the person tasked with arranging the service and directing the choir. “It is very widely broadcast and is very well known. I get a lot of letters and emails from people around the world saying how much they enjoy the service. The public feel that it belongs to them. They have a stake in it.”
Cleobury is passionate about the Festival, which he has been part of since taking over as Director of Music in 1982. He puts his love of music down to coming from a musical family. His father played the piano and organ, and his mother was an amateur choral singer. He went on to become a chorister in Worcester and studied the organ at Cambridge University. Prior to joining King’s College, he held the prestigious positions of sub-organist at Westminster Abbey and Master of Music at Westminster Cathedral. Cleobury thinks all of this provided good preparation for his work at King’s.
Yet despite his many years of experience, Cleobury admits it was a nerve-wracking prospect to become part of the celebrated Festival – and that it can still be daunting for both him and the choir. “You get over that through very careful preparation,” he says. “We hone general skills daily, though for the carol service reportoire, we generally prepare during December itself. That involves not only preparation of the carols, but also psychological preparation for the service.”
The enduring nature of the Festival is partly down to its iconic moments, such as the lone chorister singing the first verse of opening hymn ‘Once in Royal David’s City’, and partly due to the beautiful setting of King’s College Chapel. But it’s also because the service remains faithful to its past without being set in stone – highlighted by the fact that Cleobury commissions a new carol from a different composer each year. “I thought it was important to add something new to the service, so it could remain traditional but not fossilised,” he says. “It helps it to reach out to new people. I always think of it as an ancient tree which has a trunk and roots. The service has roots in the past, but it is still growing new leaves.”
Though he admits not everybody has been a fan of the new carols, he feels they’ve been incredibly lucky with the ones that have been composed over the years. While each new carol is different, they are united by a festive theme with serious undertones: “They can’t just be about tinsel and wrapping paper!” This year, Cleobury is excited to announce a carol by the Bristol-born composer Tansy Davies – though, he has yet to hear it. “I commission the carols but don’t really know what they’ll turn out like until the last minute!” he says.
Of course, the traditional hymns and carols remain an essential part of the service’s appeal. While the arrangement does change each year, the Festival always begins with the hymn ‘Once in Royal David’s City’ and closes with ‘Hark the Herald Angel Sing’. “I inherited those when I started, and I didn’t see any reason to change it,” Cleobury says. “They’re two of the best known hymns and I think the lyrics resonate with people, whatever they believe in. ‘Once in Royal David’s City’ is, of course, about the birth of Jesus, and the theme of a baby’s birth is something that resonates with most people. I had a grandchild recently and, strangely enough, [‘Once in Royal David’s City’ hymn writer] Mrs Alexander’s beautiful words came into my head. ‘Tears and smiles like us he knew.’ The words mean a lot to people.”
Cleobury thinks it is important for the Festival to resonate with people who perhaps wouldn’t usually attend church services. “I think that’s very crucial, because many can respond to elements in it who do not wish to participate in formal or official church organisations. The service can affect everyone – Christians, Buddhists, agnostics and atheists, and the message of the service has different potential for each individual.”
This wide appeal is helped by the fact it has been televised since 1963. It’s actually a different service to the one that takes place in the Chapel on Christmas Eve, with seven lessons instead of nine and additional carols. It’s filmed a few weeks before it is broadcast. Cleobury doesn’t find it unusual to be conducting a Christmas service a few weeks before the actual day. “I think most people are gearing up for Christmas by mid-December and many schools have had their Christmas services by then of course. I have certainly done stranger things, though – like recording a CD of Christmas songs in August in the South of France. Now that did feel odd!”
In 2009, Cleobury’s services to music were recognised when he was awarded a CBE in the Queen’s Birthday Honour’s List. However, he’s well aware that any musical service is more than about one person. “I know it’s a cliché, but I saw it as recognition not just for myself but for everyone I have worked with. Nobody achieves anything without the help of others.”
There are 650 seats for the Christmas Eve service of Festival of Nine Lessons and Carols. They are available for the residents of Cambridge and the wider public. However, demand for seats is extremely high, so if you want to attend the service it’s best to get there early. The public are admitted to the main gate on King’s Parade from 7.30am, and as you queue you’ll be entertained by the Choral Scholars of King’s College Choir singing carols. The service itself starts just after 3pm. The televised Festival, however, is a private service for members of the college, so you won’t be able to attend this one!
Salisbury insider’s guide: Spires and squires
Home to the tallest cathedral spire in Britain, Europe’s oldest-working clock and the world’s best-preserved Magna Carta, Salisbury is a historic treasure trove; the perfect “city in the countryside”
Most English cathedral cities are much older than the cathedrals themselves, with histories reaching back into the Roman era or earlier.
Salisbury is the exception that proves the rule: a medieval ‘new town’ laid out on a grid of streets alongside the cathedral in the 13th century. But one of the best views of city and cathedral is from the ramparts of Old Sarum, on a hillside not quite two miles to the north.
Once an Iron Age hillfort, it was later the site of a medieval castle and the original cathedral, until the 13th century, when Bishop Richard Poore led the clergy down into the valley to build the present cathedral. This windy hilltop, now home only to some picturesque ruins, is where the centre of this cathedral city really ought to be. Old Sarum was abandoned for several reasons, including a lack of space, the difficulty of obtaining fresh water and a dispute with the garrison of the castle. According to legend, the location of the new cathedral was determined by the fall of an arrow fired from Old Sarum, although it would have been difficult to fire an arrow two miles, even with the north wind blowing a gale.
Whatever the truth of the story, we have every reason to be grateful for the subsequent course of events, as they led to the creation of one of the most magnificent sights in the British Isles: the dazzling, dizzying spire of Salisbury Cathedral. Built in 1320, 404 feet (123 metres) high, it is the largest spire in Britain and taller than any other spire built before 1400 that is still standing anywhere. Drive or walk over the hills that surround Salisbury and it is this majestic stone structure, pointing towards heaven that you see before anything else.
At the heart of the city, the market square has been the city’s focal point since a market was first held here in 1227 and the streets around it are full of good places to eat and drink and shop. There are as many historical buildings and sights as you’d expect to find in a cathedral city, including the gates through the remaining stretches of the old city wall into the Cathedral Close; and the Poultry Cross, the last of many stone crosses which once marked out the areas for different trades in the town market.
If you join one of the cathedral’s Tower Tours – and I very much recommend that you do – you’ll get the chance to sample the best views available of the city centre as you look out from the stone balconies at the base of the cathedral spire over the green lawns of the Cathedral Close, fringed by many of the city’s most beautiful buildings, the medieval streets and market square to the north and the water meadows alongside the River Nadder to the west.
My guide for the Tower Tour was Caroline Waldman, a retired nurse and hospice manager and one of about 600 volunteers who perform various vital tasks to keep the cathedral running. Caroline says the best thing about working at the cathedral is the chance to share with people from many different backgrounds the sense of wonder the building seems to instill in so many visitors, and the devotion it inspires in those who live and work in and around it.
“I love the sense that it has been there for such a long time,” she says. “Our hopes and fears and prayers become embedded in the place. It feels like a living building. It’s a great privilege to work there.” The Tower Tour is also a great way to find out more about how the cathedral was built. Caroline led us up narrow staircases into the roof space, above the cathedral’s ceilings, to see the timber framework that carries the roof, and other hidden reminders of the cathedral’s construction, like put-log holes, gaps in the brickwork that supported wooden scaffolding used by the masons who built the last few courses of stone at the top of the walls, seven and a half centuries ago.
You can also see the various means by which the tower and spire have been strengthened over the centuries, including some amazing labyrinthine 14th-century wooden scaffolding inside the spire itself and stone buttresses built to support the extra weight of the upper tower and spire added in the 14th century. Raising the tower and adding the spire added 6,500 tons (6,604 metric tonnes) of weight to the building. Stand at the bases of the pillars below the tower in the nave and look up and you’ll see that extra bulk has produced a noticeable, and slightly alarming bend in the pillars.
Other treasures in the cathedral include the oldest working modern clock in the world, built in 1386 for use in a separate bell tower in the Close, which stood about 320 feet north west of the cathedral between 1265 and its demolition in 1792. The clock was then hidden in a storeroom for more than a century until rediscovered in the 1920s and restored to full working order in the 1950s. It has no face, but chimes out the hours, to summon the medieval clergy to prayer.
Visitors will also enjoy the 14th–century Chapter House, where a detailed stone frieze depicts scenes from Genesis and Exodus, including Noah’s Ark and the Tower of Babel and where one of the four original copies of Magna Carta is homed, along with changing exhibitions about medieval literature and scripture.
Back in the nave I am delighted by the new font, installed to mark the cathedral’s 750th anniversary (September 2008). It’s a beautiful piece of art, built by the sculptor William Pye, a dark green bronze cruciform, three metres long to allow full immersion baptism, standing on a base of the same Purbeck stone from which the cathedral was built. The water that flows across it acts as a perfectly clear mirror, reflecting the ancient Gothic architecture of the cathedral and the faces of children wondering whether or not to dip their fingers into it.
|Arundells, home of a former Prime Minister|
But there is much more to see in Salisbury other than the Cathedral. Arundells, a gorgeous 18th-century house in the Close, was the home of former Prime Minister Sir Edward Heath for 20 years until his death in 2005. The house is interesting in its own right, built on the site of a medieval canonry and now filled with Sir Edward’s belongings, including extensive collections of musical and sailing memorabilia, reflecting his primary interests outside politics. But all visitors enjoy the two acres of beautifully kept gardens, which slope away gently behind the house, down to the river.
Mompesson House, on Chorister Green, a picturesque rectangle of lawn in a corner of the Close, is another highlight; an elegant 18th-century house, now furnished in the style of Queen Anne’s reign (1702-1714). The shaded and peaceful garden at the back of the house is the perfect setting for afternoon tea and there’s a tearoom tucked away in the corner. You might just also recognise Mompesson as one of the locations used in the film Sense and Sensibility: you can flick though a nice photo album of the film’s stars, including Emma Thompson, Kate Winslet and Alan Rickman, cavorting in Regency costume.
Also in the Close, the Salisbury and South Wiltshire Museum is a particularly good place to find out more about the Neolithic heritage of this part of Wiltshire: Salisbury lies within one of the richest areas of prehistoric human sites anywhere in the country; Stonehenge is just a few miles away. The prize exhibit is the ‘Amesbury Archer’, a Bronze Age skeleton whose burial was excavated in 2002 and who was clearly a very important individual, judging from multiple artifacts buried with him, including a large number of arrowheads.
While walking around central Salisbury you should also make time to slip inside St Thomas’s Church, built to serve the spiritual needs of the people who built the cathedral. It’s a wonderfully light space, thanks to its large windows and still very much a thriving church. But the most important thing you’ll find in here is the 15th-century Doom Painting, thought to be the largest in England, high above the Chancel Arch. Painted in 1475, it shows Christ at the Day of Judgement, casting sinners into Hell and sending the righteous to heaven. It was whitewashed over during the Reformation and only rediscovered by chance in the 19th century.
The other essential element of a visit to this city is a walk along the Town Path, which runs beside streams across the water meadows between Salisbury and the neighbouring suburb of Harnham. It offers the best views of the cathedral available from the valley floor and it was from a spot somewhere near the path at the Salisbury end that John Constable painted one of his most celebrated works, Salisbury Cathedral From The Meadows, in 1831.
Finally, do make the effort to get out to Old Sarum: it’s fantastic. There’s not really a vast amount to see, beyond the crumbling flint of the old castle walls, the deep ditches outside the ramparts and the outline of the old cathedral, picked out in stone on the ground north-west of the old castle. But it’s an evocative place that stimulates the imagination and the views back over this pretty, friendly city are spectacular.
Learn more about our kings and queens, castles and cathedrals, countryside and coastline in every issue of BRITAIN magazine!
Horsing around at Cheltenham
Visit Cheltenham this month and you’re in for a spectacular sight. A ‘trail’ of life-size horse sculptures has been positioned at key locations throughout the town centre, from Montpellier to the Racecourse…
The ten horses have been created by both national and local artists and are well worth seeing.
One horse has been decorated by local community groups. Led by Su Billington from deepspace studios and Nikki Whitfield from Cheltenham Open Studios, 100 students from Glenfall Primary School and Artshape were invited to come up with a design inspired by the Cheltenham Festival’s centenary in 100 minutes.
The decoration of others are linked to their sponsors; for example Sam Charles Hodgson has created a beautiful vision of interior elements of Ellenborough Park for them, and Sally Lancaster has painted vignettes of legendary Cheltenham winners for the Racing Post. PJ Crook’s horses make some references to her sponsors – the University of Gloucestershire and the Friends of Cheltenham Art Gallery & Museum. Alison Little’s for the Regent Arcade is all about shopping and Carrie Reichardt has created a Trojan Horse for her sponsor John Baker.
The horses will be in situ around Cheltenham until 15 October 2011. After the exhibition they will be displayed at the Racecourse and auctioned for each sponsor’s respective charity. Visit www.cheltenham.artgallery.museum for more details about the project. Click here to view the map of the trail.